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Friday, July 6, 2012

Hemareddy Mallamma Katheyu


Hemareddy  Mallammana  Katheyu
A novel by Kum.Veerabhadrappa
Sapna  Book House, Bangalore
Pages: 372    price: Rs. 225

Kum.Veerabhadrappa,  more well known as ‘Kum.Vee.’, is one of the most prolific fiction writers of our times. He has published fifteen collections of short stories, thirteen novels, a couple of biographies and his autobiography “Gandhi clasu”. He has also translated a number of Telugu stories into Kannada. “Hemareddy Mallammana Katheyu” is his latest novel.
The major concern of Kum.Vee’s fiction is to unravel the cosmos of the feudal system. Most of his stories and novels are situated in the remote villages of Andhra Pradesh which are characteristic for their class divide and  therefore prone to  feudal violence on the one hand and the radical activities on the other. The ‘real’ in Kum.Vee.’s world is so macabre, grotesque and violent  that it appears as ‘fantasy’. Kum.Vee. says that bomb making is a home industry in most of these villages! Murderers with their native ammunition  knock at your doors for refuge. Any peaceful activity devoid of violence appears rather unnatural here. There is no wonder if comic exaggeration is the chief tool of Kum.Vee.’s narratives. Kum.Vee.’s constant experimentation with diction, syntax and narration is not an indulgent aesthetic activity but a creative need to grapple with and to come to terms with the histrionics of his characters and the unbelievable situations  they are placed in.   He has also been exploring new narrative strategies to transform his raw material, which is at once rich but explosive, into creative structures.
In “Hemareddy Mallammana Katheyu”  Kum.Vee. has  employed   multiple first person narrators. The first narrator happens to be the friend of one Tanikella Parthasarathi  a Telugu writer. One day he receives a telephone call from Parthasarathi requesting him to meet him at Karnool and browse through the manuscript of his novel which is yet to be completed. The narrator obliges. Looking at the title the narrator exclaims that it is a mythological novel. But Parthasarathi smiles and clarifies that ‘it is not  about that Shivasharane Mallamma the Dharmapatni of that Hemareddy’ and implores the narrator to see for himself what it is about. The narrator starts reading  Parthasarathi’s novel which is in first person narration. The first person narrator of Parthasarathi’s novel is a primary school teacher in a remote village. This novel is a record of his experiences, observations, interpretations and encounters with a very wide range of personalities. In Parthasarathi’s novel this narrator is also a fiction writer.  He says that  a story he  started a week ago is slowly transforming itself into a novel! This teacher narrator cum novelist  gets fascinated by the fact that real life incidents and characters have begun to influence  and actually  dictate his narrative.
This motif recurs in the main narrative as well. Apart from uncovering the tapestry of the complex fabric of feudalism Kum.Vee.’s novel reflects on the intricate relationship between fact and fiction. One turning point in the life of the villagers is the arrival of a drama company. They put up a number of performances in the village and ultimately venture to take up the legend of Hemareddy Mallamma.  This triggers off a flurry of activities in which different faces of feudal culture show up in all their hues. Even the novelist Parthasarathi finds it hard  to complete the last sentence of his manuscript! At this point Kum.Vee.’s novel gets back to the first narrator. A small discussion takes place  between Parthasarathi and the first narrator regarding alternative possibilities of plot and characterization and  now it is left to the first narrator to rewrite and complete the manuscript. “Hemareddy Mallammana Katheyu”  is a continuation of  Kum.Vee.’s  relentless effort to make sense of the complexities of the feudal system. However what makes this narrative a little different from the other works of Kum.Vee.is the interplay between fact and fiction on the one hand and fiction and metafiction on the other.
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T.P.Ashoka
Dept of English
Lal Bahadur College
Sagara-577 401
Shimoga Dist
Karnataka
94482 54228



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